75 Years Ago, She Debuted on Screen, Now She’s a Film Icon. Guess Who?

Jeanne Moreau, known for her roles in “Jules et Jim,” “The Lovers,” “Elevator to the Gallows,” and “The Bride Wore Black,” was one of the most prolific, versatile, and captivating actresses of her generation. She also famously performed the song “Le Tourbillon de la vie” and was a true star.

Her film debut came with “Dernier amour,” released in 1949 in France. The plot unfolds as Hélène (Annabella) remarries Alain (Georges Marchal), and they live blissfully until a telegram from Alain’s cousin Michèle arrives, casting doubts in Hélène’s mind. Driven by jealousy, Hélène tries everything to catch Alain cheating with the young and beautiful Michèle. But does she really have anything to worry about?

A Pivotal First Role

The role of Michèle was played by a 21-year-old Jeanne Moreau, marking her first appearance in a feature film. At the time, she had been performing in minor theater roles for two years, including at the Comédie-Française.

Directed by Jean Stelli, “Dernier amour” provided Moreau with a significant early role in cinema. However, her inexperience was apparent on set, as reported by Libération, “she continued to act her character even when off-screen or when the camera stopped rolling, to the bewildered gazes of the crew.” Pure method acting!

The film also features Suzanne Flon, who plays the sister of Hélène.

Jeanne Moreau, An International Star

Although “Dernier amour” did not make a lasting mark, Jeanne Moreau’s career quickly progressed. She took on minor roles until she starred in “Queen Margot” by Jean Dréville in 1954. From then on, she secured major roles in numerous films, but it was her performances in “Back to the Wall,” “Elevator to the Gallows,” and “The Lovers” that catapulted her to stardom.

Subsequently honored for her lifetime achievements at the Berlin and Venice Film Festivals, Moreau was awarded a César for “The Old Lady Who Walked in the Sea” in 1992 and shared the Best Actress Award at the Cannes Film Festival for “Moderato Cantabile” in 1960 (with Melina Mercouri for “Never on Sunday”). Jeanne Moreau left an indelible mark on the history of cinema with her distinctive roles and performances.