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In celebration of the re-release of the feature film “New York 1997” by John Carpenter, discover the highest-rated film of his career according to AlloCiné viewers.
Currently re-released in theaters, “New York 1997”, directed by John Carpenter and originally released in 1981, is set in the near future where rising crime in the United States has led to the transformation of Manhattan into a maximum-security prison. The legendary fugitive and former soldier Snake Plissken (Kurt Russell) has twenty-four hours to rescue the American president (Donald Pleasence), captured by inmates after his plane crashes on the island. Written by Carpenter in the mid-1970s in response to the Watergate scandal, the film spawned a sequel, “Los Angeles 2013” (1996), with Kurt Russell reprising his role.
The highest-rated film is…
With a career spanning nearly forty years, Carpenter has directed numerous horror and science fiction films that have gained international acclaim over time. An independent filmmaker, he made his debut feature film, “Dark Star”, in 1974 at the age of 25.
Released in 1982, “The Thing” is written by Bill Lancaster and adapted from the short novel “Who Goes There?” (1938) by John W. Campbell. The film follows a group of American researchers in Antarctica who encounter a parasitic extraterrestrial life form capable of assimilating and then mimicking any organism. Kurt Russell plays the leading role.
With over 17,400 ratings and nearly 780 reviews on AlloCiné, The Thing scores an average rating of 4.2 out of 5, placing it at the top of the filmmaker’s body of work.
Viewer Reviews
Roub E. from Club Allociné (5/5) : “Carpenter delivers one of his masterpieces here: organic, frightening, paranoid, clever… There are many ways to describe The Thing. With its self-destructive hero fighting for his survival and that of the entire human race, Carpenter explores individuals, the stances they can take, and who they truly are. Alongside, we have a superb horror film that will delight fans of gore. A must-see? Undoubtedly.“
Moket (5/5) : “A pinnacle of horror, unfairly overlooked at its release. The film is incredibly anxiety-inducing, the Thing is horrifying, and Kurt Russell is outstanding. Truly a masterpiece of the genre.“
Cylon86 (5/5) : “John Carpenter’s masterpiece, showcasing the full range of his talent. By reimagining the plot of Howard Hawks’ ‘The Thing from Another World,’ he creates a chilling film where the snowy setting only adds to the tension. Trapped with an alien creature capable of assuming the appearance of any of them, all these men stuck in a polar station must fight and outsmart each other to unmask the Thing, capable of the most horrific and disgusting transformations in cinema history (thanks to Rob Bottin). Carpenter knows how to set the mood and build tension throughout the movie, and no character, not even the excellent Kurt Russell, ever safe from danger. Not only is The Thing one of the greatest horror films ever made, but it also serves as a powerful metaphor for the evil that can live within us without our knowledge.“
Celebrating Cinema from Club Allociné (5/5) : “With The Thing, John Carpenter had ample time to transform the ambitious idea of remaking Howard Hawks’ film into a masterpiece that crystallizes all his influences, themes, and artistic touch. This time, the Evil is viral, transmitted like AIDS — we are, after all, in 1982 — and it turns a group of researchers into a human experiment on collective paranoia, against a backdrop of snowy landscapes. The film, Carpenter’s most radical and paradoxically his most accomplished, spreads a grimy and icy atmosphere, finds a perfect alchemy between gore and off-screen to generate a rarely felt climate of anxiety in a movie theater. A brilliant and unhealthy work.“
The Film Buff (5/5) : “Carpenter has created an undisputed and instant classic, a cold and profound piece. In this arctic setting, Kurt Russell must face an invisible threat, a shapeshifter capable of assuming the appearance of anyone or anything. It Follows has revisited this phenomenon of paranoia, not knowing where the danger comes from. In stop-motion, the monster is impressive, truly imposing. A demonic manifestation, repulsive and utterly cult.“
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A passionate journalist, Iris Lennox covers social and cultural news across the U.S.